Jump to content

Revolution (1985 film)

From Wikipedia, the free encyclopedia

Revolution
Theatrical release poster
Directed byHugh Hudson
Written byRobert Dillon
Produced byIrwin Winkler
Starring
CinematographyBernard Lutic
Edited byStuart Baird
Music byJohn Corigliano
Production
company
Distributed byColumbia-Cannon-Warner Distributors
Release date
  • 25 December 1985 (1985-12-25) (US)
Running time
124 minutes[1]
CountryUnited Kingdom
LanguageEnglish
Budget$28 million[2]
(£19 million)[3]
Box office$358,574[2]

Revolution is a 1985 British historical drama film directed by Hugh Hudson, written by Robert Dillon, and starring Al Pacino, Donald Sutherland, and Nastassja Kinski. The film stars Pacino as a fur trapper in the Colony of New York who involuntarily gets enrolled in the Revolutionary forces during the American Revolutionary War.

Revolution received many negative reviews upon release and was a financial disappointment. Its release was delayed in Pacino's native New York City.[4] Due to the disappointment, Pacino took a four-year hiatus from films until 1989's Sea of Love.

Plot[edit]

On 4 July 1776, fur trapper Tom Dobb (Al Pacino) and his young son Ned (Sid Owen) sail to New York City; they witness a riotous mob tearing down a statue of the King of England while declaring their independence from English rule. The mob seizes Dobb’s boat and cargo, compensating him with a “note” for payment to be reimbursed after the war. While Dobb attends a meeting to determine what will happen to his boat, Ned signs up for the United States Continental Army as a drummer against his father’s wishes. Dobb reluctantly enlists to stay with his son and protect him.

Meanwhile, Daisy McConnahay (Nastassja Kinski), an idealistic aristocrat, volunteers for the Patriots’ cause. While looking for soldiers to feed, she discovers Dobb and Ned lying in a field, who describe to her the chaos of the battle under the Brooklyn Heights. Daisy pleads with her father back home in New York to support the Patriots, but is largely ignored and admonished for her views.

Dobb and Ned participate in another battle against the British Army, led by the strict Sergeant Major Peasy (Donald Sutherland). The Americans are badly massacred and forced to retreat. Dobb and Ned desert the Army and return to New York, where they discover it is now under British occupation. Daisy, having spotted them, accuses Dobb of cowardice. She later spoils a party at her parents’ home after stabbing a British officer; her mother (Joan Plowright) forces her to choose between her family or the Patriots.

Dobb participates in a faux fox hunt by the British, where he and another man are forced to lure an effigy of George Washington through the wilderness. Dobb manages to escape the British while the other man is mauled to death. Ned, accusing his father of cowardice, joins a gang of youths, is subsequently imprisoned, and is recruited into the British Army by Peasy as a drummer boy, along with his friend Merle. Resistant to the army, Ned is whipped in the soles of his feet and left tied to a cannon overnight.

Dobb sneaks into the encampment and rescues his son and Merle. He kills two Iroquois scouts in pursuit of them recruited by Peasy. The trio are given food, shelter, and time to heal from their wounds at a village of Huron natives sympathetic to their cause. Dobb and Ned return to the war six months later, after Ned’s feet have fully healed, and are recruited as scouts.

Dobb and an older Ned (Dexter Fletcher) run into Daisy once more, who is now assisting the Patriots in Valley Forge. Ned becomes friends with Bella, the daughter of a gunner in the fort. Dobb and Daisy confess their love for each other, dreaming of sailing away together one day. While Daisy drives a wagon load of wounded soldiers out of the fort, she is attacked by British soldiers as a helpless Dobb chases them by foot. Ned and Bella get married before Ned and Dobb march off again with the Continental Army.

Three years later, Dobb and Ned confront Peasy and the British Army during the Battle of Yorktown. They wound Peasy, but decide not to kill him. The war soon ends with the Americans victorious. Returning to New York City, Dobb cashes in his note for compensation for his boat, but is told that all of it has gone to the war debt. Dobb chooses to stay in New York City to earn a living and search for Daisy, while Ned and a pregnant Bella head upriver to start a farm and raise a family. Dobb eventually finds Daisy, who survived the attack in Valley Forge, and the two embrace.

Cast[edit]

Development[edit]

The film was the idea of producer Irwin Winkler who felt the American Revolution would make an ideal subject for a film. After having just made The Right Stuff, based on a true story, Winkler decided to focus on a fictional father and son. Winkler had a development deal at Warner Bros., and the studio agreed to finance a script by Robert Dillon. Warners did not like the script and didn't agree to finance it, so Winkler bought it back, attached Hugh Hudson as director and took the project to other studios to see if they were interested. He showed the script to Sandy Lieberson of Goldcrest, who was enthusiastic.[5]

Goldcrest agreed to finance provided a U.S. studio could be brought in to co-produce. Warner Bros. then agreed.[6]

Production[edit]

The movie was filmed largely in the old dock area of the English port town of King's Lynn, Norfolk. The main battles scenes were filmed at Burrator Reservoir on Dartmoor in Devon and on the coastal cliff top near Challaborough Bay, South Devon where a wooden fort was built. Military extras were recruited from ex-servicemen mainly from the Plymouth area. Many other scenes were filmed in the battle training area near Thetford, Norfolk, and extras were recruited from the King's Lynn area. Melton Constable Hall in Norfolk was used for some scenes.

Reception[edit]

Box office[edit]

Revolution cost $28 million to make, and it was a box-office disaster, grossing $346,761 in the United States.

Goldcrest Films invested £15,603,000 in the film and received £5,987,000, losing £9,616,000.[7]

Critical response[edit]

On Rotten Tomatoes, the film holds an approval rating of 10% based on 21 reviews, with an average rating of 3.6/10. The site's critics consensus states: "Unlikely to inspire any fervor with its miscast ensemble and ponderous script, Revolution is a star-spangled bummer."[8] On Metacritic, the film has a weighted average score of 22 out of 100, based on 13 critics, indicating "generally unfavorable reviews".[9]

Variety's staff commented "Watching Revolution is a little like visiting a museum – it looks good without really being alive. The film doesn’t tell a story so much as it uses characters to illustrate what the American Revolution has come to mean."[10]

A reviewer for the UK-based Time Out called it "an almost inconceivable disaster which tries for a worm's eye view of the American Revolution...maybe the original script had a shape and a grasp of events. If so, it has gone. There has clearly been drastic cutting, and nothing is left but a cortège of fragments and mismatched cuts. It's also the first 70 mm movie that looks as if it was shot hand-held on 16 mm and blown up for the big screen. Director? I didn't catch the credit. Was there one?"[11] Vincent Canby of The New York Times called it "a mess, but one that's so giddily misguided that it's sometimes a good deal of fun for all of the wrong reasons. Characters who have met briefly early in the film later stage hugely emotional, tearful reconciliations."[12] Pauline Kael commented that "everything in this picture, which goes from the beginning of the American War of Independence in 1776 to the end of combat in 1783, seems dissociated. The director, Hugh Hudson, plunges us into gritty, muddy re-stagings of famous campaigns, but we don't find out what's going on in these campaigns, or what their importance is in the course of the war...Hudson and the scriptwriter, Robert Dillon, present the war as a primal Oedipal revolt of the Colonies against the parent country, and the relationships of the characters are designed in Oedipal pairs; Hudson also stages torture orgies to indicate how sadistic the redcoats are, and scenes are devised to set up echoes of the Rocky series and Rambo. This is a certifiably loony picture; it's so bad it puts you in a state of shock."[13]

Accolades[edit]

Revolution was nominated for four Golden Raspberry Awards:

The film won the Stinkers Bad Movie Award for Worst Picture.[14][15]

Music[edit]

Revolution (Original Motion Picture Soundtrack)
Film score by
Released2009
GenreSoundtrack
Length40:32
LabelVarese Sarabande
ProducerRobert Townson
John Corigliano chronology
Altered States Revolution (Original Motion Picture Soundtrack) The Red Violin

The score was composed by John Corigliano, who promised Hudson he would be available for the job after a scheduling conflict prevented him from scoring Greystoke: The Legend of Tarzan, Lord of the Apes. Corigliano created three main themes for the film - a love theme for Tom and Daisy, a “children’s theme” conveying innocence and purity, and a theme of lament for the war itself. The score features James Galway performing the "children's theme" on flute and tin whistle.

Corigliano was unhappy with how the score was ultimately mixed and dubbed in the final cut. He returned to composing strictly concert works shortly thereafter and would not compose the score for another film until The Red Violin (1999).

A soundtrack recording release was initially planned by RCA Records, but it was cancelled after the film’s critical and commercial failure. The masters, originally thought to have been lost, were discovered mislabelled in a vault in 2007 - a CD was subsequently released by Varese Sarabande in 2009.[16][17][18]

All tracks are written by John Corigliano.

Revolution (Original Motion Picture Soundtrack)
No.TitleLength
1."Opening Titles: Revolution In The Air"1:08
2."Daisy's Theme: Embarkation"2:29
3."War Lament"5:53
4."Foxhunt"6:09
5."Children's Theme"3:53
6."Abduction of Ned"1:50
7."Forest Search: Attack"3:10
8."Journey to the Hogan"1:37
9."Lovers (Ned & Bella, Daisy & Tom) / Attack / Field Of The Dead"6:18
10."Searching For Daisy / End Title"8:05
Total length:40:32

Director's cut[edit]

Revolution was rush-released in December 1985 for the Christmas market and for Academy Award consideration. Dissatisfied with the version of the film released to theatres, Hugh Hudson released Revolution: Revisited on DVD in 2009. This new cut added narration by Pacino (recorded for this release), and numerous scenes were trimmed or deleted outright (running at 115 minutes, the Director's Cut is approximately 10 minutes shorter than the theatrical version). Also included is a conversation with Pacino and Hudson who discussed the film's being rushed for a U.S. release during Christmas, being trashed by the critics, and having other issues related to the making and release of the film.[19][20] Reviewing the new version of the film for Variety, Jay Weissberg wrote: "The results generally improve the movie, now titled Revolution Revisited, but numerous problems are insurmountable."[21]

The film was re-released in the UK in 2012 by the British Film Institute in a Blu-ray Disc/DVD combo. This edition came with both cuts of the film, as well as a booklet with essays written by Nick Redman, Michael Brooke and critic Philip French, who argues that the film was a victim of bad publicity and cultural misunderstandings, and regards the Revisited cut as a "masterpiece."[22]

See also[edit]

References[edit]

  1. ^ "REVOLUTION (PG)". British Board of Film Classification. 30 December 1985. Retrieved 25 October 2014.
  2. ^ a b "Revolution (1985)". Box Office Mojo. Retrieved 16 August 2011.
  3. ^ Olins, Rufus. "Mr Fixit of the British Screen." Sunday Times [London], England 24 September 1995: 9[S]. The Sunday Times Digital Archive.] Web. 29 March 2014.
  4. ^ "Siskelandebert.org". siskelandebert.org. Archived from the original on 12 April 2013. Retrieved 27 January 2018.
  5. ^ Eberts and Ilott p 346-348
  6. ^ Eberts and Ilott p 348-350
  7. ^ Eberts, Jake; Illott, Terry (1990). My indecision is final. Faber and Faber. p. 657.
  8. ^ "Revolution (1985)". Rotten Tomatoes. Retrieved 4 January 2023.
  9. ^ "Revolution reviews". Metacritic. Retrieved 4 January 2023.
  10. ^ "Review: 'Revolution'". Variety. 31 December 1985. Retrieved 6 December 2015.
  11. ^ "Revolution". 10 September 2012. Retrieved 27 January 2018.
  12. ^ Canby, Vincent (25 December 1985). "The Screen: 1770s Epic, 'Revolution'". The New York Times.
  13. ^ "Pauline Kael".
  14. ^ "1985 8th Hastings Bad Cinema Society Stinkers Awards". Los Angeles Times. Archived from the original on 17 October 2006. Retrieved 2 April 2013.
  15. ^ The Stinkers 1985 Ballot
  16. ^ "War Is Hell: John Corigliano and the Battle Over REVOLUTION". Words of Note. 19 March 2008. Retrieved 8 July 2024.
  17. ^ "Film Score Daily: The Red Violin: An Interview with John Corigliano". www.filmscoremonthly.com. Retrieved 8 July 2024.
  18. ^ "Revolution (Original Motion Picture Soundtrack)". Discogs. Retrieved 8 July 2024.
  19. ^ [1] Archived 16 September 2010 at the Wayback Machine
  20. ^ Solomons, Jason (22 March 2009). "Director Hugh Hudson on the shooting of Revolution with Al Pacino". The Guardian. London.
  21. ^ "Revolution Revisited". July 2009.
  22. ^ "DVD & Blu-ray - Shop". filmstore.bfi.org.uk. Archived from the original on 15 May 2012. Retrieved 27 January 2018.

Notes[edit]

  • Eberts, Jake; Ilott, Terry (1990). My indecision is final. faber and faber.

External links[edit]

Awards
Preceded by Stinker Award for Worst Picture
1985 Stinkers Bad Movie Awards
Succeeded by