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Shelley Duvall
Duvall in 1977
Born
Shelley Alexis Duvall

(1949-07-07)July 7, 1949
Fort Worth, Texas, U.S.
DiedJuly 11, 2024(2024-07-11) (aged 75)
Blanco, Texas, U.S.
Occupations
  • Actress
  • producer
Years active
  • 1970–2002
  • 2022–2023
WorksFull list
Spouse
Bernard Sampson
​
​
(m. 1970; div. 1974)​
Partners

Shelley Alexis Duvall (July 7, 1949 – July 11, 2024) was an American actress. Known for her collaborations with Robert Altman and for playing eccentric characters, she won a Cannes Film Festival Award and was nominated for a British Academy Film Award and two Primetime Emmy Awards. Four of her films are preserved in the United States National Film Registry by the Library of Congress.

Born in Texas, Duvall was discovered by Altman, who was impressed by her upbeat presence and cast her in the black comedy film Brewster McCloud (1970). Though hesitant to become an actress, she continued to work with him, appearing in the Western film McCabe & Mrs. Miller (1971) and the crime film Thieves Like Us (1974). Her breakthrough came with his musical film Nashville (1975), and she won acclaim for starring in his drama film 3 Women (1977). She followed this with a supporting role in Woody Allen's romantic comedy film Annie Hall (1977).

Duvall gained further prominence for her leading roles as Olive Oyl in Altman's adventure film Popeye, and Wendy Torrance in Stanley Kubrick's horror film The Shining, both in 1980. She appeared in Terry Gilliam's fantasy film Time Bandits (1981), Tim Burton's short comedy horror film Frankenweenie (1984), and Fred Schepisi's comedy film Roxanne (1987). She ventured into producing television programming aimed at children and youth in the latter half of the 1980s, creating and hosting the programs Faerie Tale Theatre (1982–1987) and Nightmare Classics (1989), and earning Primetime Emmy Award nominations for creating and hosting Tall Tales & Legends (1985–1987) and Shelley Duvall's Bedtime Stories (1992–1994).

During the 1990s, Duvall acted sporadically, playing supporting roles in Steven Soderbergh's thriller film The Underneath (1995) and Jane Campion's drama film The Portrait of a Lady (1996). After appearing in Gabrielle Burton's comedy film Manna from Heaven (2002), she left acting until returning for her final role in the horror film The Forest Hills (2023). Her mental health in the interim was covered by various media, briefly turning her private life public.[1]

Early life

Shelley Alexis Duvall was born on July 7, 1949,[2][3] in Fort Worth, Texas,[4][5][6] the first child of Bobbie Ruth Crawford (née Massengale, 1929–2020), a real estate broker and in the legal field,[7] and Robert Richardson "Bobby" Duvall (1919–1994), a cattle auctioneer-turned-lawyer. [6][8] Her younger brothers were Scott, Shane and Stewart.[9]

For her first few years, Duvall lived in various locations throughout Texas due to her father's work, before the family settled in Houston when she was five years old.[6] She was in a choir.[7] She was an artistic and energetic young child, eventually earning the nickname "Manic Mouse" from her mother.[10] She became interested in science at a young age; as a teenager she aspired to become a scientist.[6] After graduating from Waltrip High School in 1967,[11] she sold cosmetics at Foley's, a department store; she attended South Texas Junior College and majored in nutrition and diet therapy.[10]

Career

1970s

Around 1970, she accidentally met Robert Altman at a party in Houston while he was shooting Brewster McCloud (1970) on location. Several crew members on the film were fascinated by Duvall's upbeat presence and unique physical appearance, and asked her to be part of the feature.[6] Duvall reflected on committing to the project: "I got tired of arguing, and thought maybe I am an actress. They told me to come. I simply got on a plane and did it. I was swept away."[4] Duvall had never left Texas before Altman offered her a role. She flew to Hollywood, and subsequently appeared in the film as the free-spirited love interest to Bud Cort's reclusive Brewster.[4][12]

Duvall alongside Keith Carradine in Nashville (1975)

Altman chose Duvall for roles as an unsatisfied mail-order bride in McCabe & Mrs. Miller (1971),[13] and the daughter of a convict—and mistress to Keith Carradine's character—in Thieves Like Us (1974).[14] Duvall appeared as a spaced-out groupie in Altman's ensemble comedy Nashville (1975),[15] which was a critical and commercial success, and a sympathetic Wild West woman in Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976).[16] The same year, Duvall left Altman to star as Bernice, a wealthy girl from Wisconsin in PBS's adaptation of F. Scott Fitzgerald's short story Bernice Bobs Her Hair (1976).[17] She also hosted an evening of Saturday Night Live on May 14, 1977 and appeared in five sketches: "Programming Change", "Video Vixens", "Night of the Moonies", "Van Arguments", and "Goodnights".[18][19]

In 1977, Duvall starred as Mildred "Millie" Lammoreaux in Robert Altman's psychological thriller 3 Women, portraying a woman living in a dreary California desert town. Although there was a written screenplay, Duvall, like other cast members, improvised many of her lines.[20] In spite of the film not being a major box-office success, it received critical acclaim,[21] and Duvall's performance was lauded by critics. Texas Monthly critics Marie Brenner and Jesse Kornbluth praised Duvall for giving an "extraordinary performance". Her performance garnered the award for Best Actress at the 1977 Cannes Film Festival and the LAFCA Award for Best Actress,[22] as well as a BAFTA nomination.[23] She next appeared in a minor role in Woody Allen's Annie Hall (1977).[24]

1980s

Duvall's next role was portraying Wendy Torrance in The Shining (1980), directed by Stanley Kubrick. Jack Nicholson said in the 2001 documentary Stanley Kubrick: A Life in Pictures that Kubrick was great to work with but that he was "a different director" with her. Because of his methodical nature, principal photography took a year to complete. The film's script was changed so often that Nicholson stopped reading each draft. Kubrick antagonized his actors, and he and she argued frequently. He intentionally isolated her and went through exhausting shoots, such as the baseball bat scene, which she had performed 127 times.[25][26][unreliable source?] Afterward, she presented Kubrick with clumps of hair that had fallen out due to the extreme stress of filming.[27] For the last nine months of shooting, she said that the role required her to cry twelve hours a day, five or six days a week,[28] and "it was so difficult being hysterical for that length of time".[29] In an interview with Roger Ebert, she also said that making the film was "almost unbearable. But from other points of view, really very nice, I suppose."[30]

Of her performance in The Shining, Vulture wrote in 2019: "Looking into Duvall's huge eyes from the front row of a theater, I found myself riveted by a very poignant form of fear. Not the fear of an actor out of her element, or the more mundane fear of a victim being chased around by an ax-wielding maniac. Rather, it was something far more disquieting, and familiar: the fear of a wife who's experienced her husband at his worst, and is terrified that she'll experience it again."[31] Screen Rant described her acting as her best career performance and calling her "the heart of the film; she is out of her depth in dealing with her husband's looming insanity while trying to protect her young son, all while being fearful of the malevolence around her".[32] Even though she was praised for her portrayal,[33] she was nominated for a Golden Raspberry Award for Worst Actress. In 2022, Golden Raspberries cofounder Maureen Murphy said she regretted nominating Duvall.[34][35] On March 31, 2022, the Razzie committee officially rescinded it: "We have since discovered that Duvall's performance was impacted by Stanley Kubrick's treatment of her throughout the production."[36]

While Duvall was in London shooting The Shining, Robert Altman cast her to portray Olive Oyl in his big-screen adaptation of Popeye, opposite Robin Williams. The film was a commercial success despite negative critical reviews, while Duvall was praised for her performance.[37][38] Film critic Roger Ebert wrote: "Shelley Duvall is like a precious piece of china with a tinkling personality. She looks and sounds like almost nobody else, and if it is true that she was born to play the character Olive Oyl (and does so in Altman's new musical Popeye), it is also true that she has possibly played more really different kinds of characters than almost any other young actress of the 1970s." The Shining was positively reevaluated in the decades since its release.[39]

Duvall's role of Pansy in Terry Gilliam's Time Bandits (1981) followed. Shortly before the release of the film, it was reported that Duvall and actor Stanley Wilson (who portrayed the town barber in Popeye) were set to marry.[40] In 1982, Duvall narrated, hosted, and was executive producer of the children's television program Faerie Tale Theatre. She starred in seven episodes of the series; "Rumpelstiltskin" (1982), "Rapunzel" (1983), "The Nightingale" (1983), "Snow White and the Seven Dwarfs" (1984), "Puss in Boots" (1985), and "Aladdin and His Wonderful Lamp" (1986). Before the program's first episode "The Frog Prince", which starred Robin Williams and Teri Garr, Duvall produced 27 hour-long episodes of the program. In 1985, she created Tall Tales & Legends, another one-hour anthology series for Showtime, which featured adaptations of American folk tales. As with Faerie Tale Theatre, the series starred well-known Hollywood actors with Duvall as host, executive producer, and occasional guest star. The series ran for nine episodes and garnered Duvall an Emmy nomination.[41]

Duvall in 1985

While Duvall was producing Faerie Tale Theatre, it was reported that she was to star as the lead in the film adaptation of Tom Robbins’s Even Cowgirls Get the Blues, which was also to star Mick Jagger, Jerry Hall, Cindy Hall, and Sissy Spacek.[42] The project was delayed and when finally released in 1993, starred an entirely different cast. She landed roles in films and television series: the mother of a boy whose dog is struck by car in Tim Burton's short film Frankenweenie (1984), and as Laura Burroughs in Booker (also 1984), a biographical television short based on the life of Booker T. Washington, directed by Stan Lathan.[43] Next, Duvall appeared as a lonely and timid woman who receives a message from a flying saucer in The Twilight Zone episode "The Once and Future King/A Saucer of Loneliness", and the friend of Steve Martin's character in the comedy Roxanne (1987).[citation needed]

In 1988, Duvall founded a new production company called Think Entertainment to develop programs and television movies for cable channels. She had started another production company, Platypus, in 1982. She created Nightmare Classics (1989), a third Showtime anthology series which featured adaptations of well-known horror stories by authors including Edgar Allan Poe. Unlike the previous two series, Nightmare Classics was aimed at a teenage and adult audience. It was the least successful series that Duvall produced for Showtime and ran for only four episodes.[44] In 1991, Duvall portrayed Jenny Wilcox, the wife of Charlie Wilcox (Christopher Lloyd) in the Hulk Hogan action-adventure film Suburban Commando.[45] In October of the same year, Duvall released two compact discs, Hello, I'm Shelley Duvall... Sweet Dreams which feature Duvall singing lullaby songs and Hello, I'm Shelley Duvall... Merry Christmas, on which Duvall sings Christmas songs.[46][47] In 1992, Duvall landed a guest spot on the television series L.A. Law as Margo Stanton, a show dog owner and breeder who presses charges against the owner of a Welsh Corgi that mated with her prize-winning Afghan Hound.[48]

1990s and 2000s

Duvall at Grauman's Chinese Theatre in 1990

In 1990, she played Little Bo Peep in Mother Goose Rock 'n' Rhyme. In 1992, Think Entertainment joined the newly formed Universal Family Entertainment to create Duvall's fourth Showtime original series, Shelley Duvall's Bedtime Stories,[49] which featured animated adaptations of children's storybooks with celebrity narrators and garnered her a second Emmy nomination. Duvall produced a fifth series for Showtime, Mrs. Piggle Wiggle,[50] before selling Think Entertainment in 1993 and retiring as a producer. She appeared as the vain, over-friendly, but harmless Countess Gemini—sister to the calculating Gilbert Osmond (John Malkovich)—in Jane Campion's 1996 adaptation of the Henry James novel The Portrait of a Lady.[51] In 1997, she played a beatific nun in the comedy film Changing Habits[52] and a besotted, murderous, ostrich-farm owner in Guy Maddin's fourth feature Twilight of the Ice Nymphs.[53] In the same year, she played Chris Cooper's character's gullible wife who yearns for a better life in Horton Foote's made-for-television film, Alone.[54]

Duvall continued to make film and television appearances throughout the late-1990s. In 1998, she played Mrs. Jackson in the comedy Home Fries and Gabby in the direct-to-video children's film Casper Meets Wendy. Near the end of the decade, she returned to the horror genre with a minor role in Tale of the Mummy (1998), co-starring Christopher Lee and Gerard Butler,[55] and The 4th Floor (1999), co-starring Juliette Lewis.[56] In the 2000s, Duvall accepted minor roles, including as the mother of Matthew Lawrence's character in the horror-comedy Boltneck (2000) and as Haylie Duff's aunt in the independent family film Dreams in the Attic, which was sold to the Disney Channel but was never released.[57] After a small role in the 2002 independent film Manna from Heaven, Duvall took an extended hiatus from acting and public life.[58]

2020s

After a 20-year absence, it was announced in October 2022 that Duvall would be acting in The Forest Hills, an independent horror-thriller film directed and written by Scott Goldberg and co-starring Edward Furlong, Chiko Mendez, and Dee Wallace.[59] The film, about a man (Mendez) tormented by nightmarish visions after experiencing head trauma in the Catskill Mountains, was given an official trailer the following month.[60]

Personal life

Duvall (bottom right) with Pat Ast (bottom left) and Dennis Christopher (above) in 1975

Duvall married artist Bernard Sampson in 1970, but their marriage disintegrated as Duvall's acting career accelerated, leading to their divorce in 1974.[6] While she was shooting Annie Hall in New York in 1976, Duvall met singer-songwriter Paul Simon. The couple began a relationship and lived together for two years. Their relationship ended when Duvall introduced Simon to her friend, actress Carrie Fisher; Fisher took up with Simon.[61] In the late 1970s, Duvall dated musician Ringo Starr.[62]

Duvall was in a relationship with musician and former Breakfast Club lead vocalist Dan Gilroy from 1989 through the remainder of her life. The pair began their relationship while co-starring in the Disney Channel show Mother Goose Rock 'n' Rhyme, which was also produced by Duvall.[2] She had no children.[63][64]

After the 1994 Northridge earthquake, Duvall moved from Benedict Canyon in Los Angeles to Blanco southwest of Austin, Texas.[65][66][30] She decided to return to her home state in 1994, while shooting the Steven Soderbergh film The Underneath. She told The New York Times that her reasons for moving were the health of one of her brothers and the earthquake.[7] In 2002, she retired from acting after 32 years.[2]

In November 2016, Duvall was interviewed by Phil McGraw on his daytime talk show, Dr. Phil, about her mental illness.[67] The segment received significant criticism from the public,[68] some claiming she was exploited.[69] Vivian Kubrick, daughter of director Stanley Kubrick, posted an open letter to McGraw on Twitter,[70] while actress Mia Farrow tweeted that it was "upsetting and unethical to exploit Shelley Duvall at this vulnerable time in her life".[71] Director Lee Unkrich also saw the Dr. Phil episode and located her in 2018, with the two going on to become friends. Unkrich noted that Duvall remained very proud of her career.[2]

In February 2021, Seth Abramovitch, writer for The Hollywood Reporter, found Duvall for an interview saying, "I only knew that it didn't feel right for McGraw's insensitive sideshow to be the final word on her legacy."[72] The article noted that her memory was "sharp and full of engrossing stories".[73] With regard to The Shining, Duvall spoke of the emotional toll of performing the role of Wendy Torrance and the challenges of long days on the set but said that Kubrick was "very warm and friendly" to her. Anjelica Huston, who was dating Jack Nicholson at the time, believed that Duvall was fully committed to the role and had even rented a small apartment in order to be close to the set.[2]

Duvall died due to complications from diabetes at her home in Blanco, on July 11, 2024. She was 75.[74][62]

Filmography

Main article: Shelley Duvall filmography

Discography

  • Hello, I'm Shelley Duvall...Sweet Dreams (1991)[75]
  • Hello, I'm Shelley Duvall...Merry Christmas (1991)[75]

Awards and nominations

Year Award Category Work Result Ref
1977 Cannes Film Festival Best Actress 3 Women Won (Ex-aequo) [22]
Los Angeles Film Critics Association Best Actress Won [76]
National Society of Film Critics Best Actress Runner-up [77]
New York Film Critics Circle Best Actress Runner-up [78]
1978 British Academy Film Award Best Actress in a Leading Role Nominated [79]
1984 Peabody Award Faerie Tale Theatre Won [80]
1988 Primetime Emmy Awards Outstanding Children's Program Tall Tales & Legends Nominated [81]
1992 Outstanding Animated Program (for Programming Less Than One Hour) Shelley Duvall's Bedtime Stories Nominated [68]
1998 Gemini Award Best Performance by an Actress in a Guest Role in a Dramatic Series The Adventures of Shirley Holmes: "The Case of the Wannabe Witch" Nominated [82]
2019 Women Film Critics Circle Award Lifetime Achievement Award Nominated [83]
2020 Texas Film Award Texas Film Hall of Fame Inducted [84]

References

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External links

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